sophieduffy

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Archive for the tag “Torquay”

Ladies, Gentlemen, and Children

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So yes, I am v. excited to hear the news that Miranda Hart is in talks with the Beeb about hosting a new series of The Generation Game.

Why am I v. excited?

Several serendipitous reasons:

1. I loved The Generation Game as a child – so much so that my debut novel is called The Generation Game.

2. I love Sir Bruce Forsyth.

3. I love Miranda Hart.

4. Last year, Miranda interviewed Brucie, reminding us that 20 million viewers would tune into The Generation Game on a Saturday night.

4. The narrator in my novel is called Philippa (Smith). One of the best TV directors around right now is also called Philippa (Lowthorpe). She directed Call the Midwife, in which Miranda Hart played a midwife. (She also directed Daphne du Maurier’s Jamaica Inn which is being aired this week – apparently they are sorting out the sound issues for tonight’s episode.) Philippa (Lowthorpe) likes strong female characters. Philippa (Smith) has her faults, but she’s a survivor.

5. My novel is set in a sweetshop in Torquay (that part is true to life. We lived above a sweetshop from 1972-74 and our neighbour, Wink, loved Brucie and TGG). And – get this – Miranda Hart was born in Torquay.

6. I blogged ages ago about a school visit where I went to talk about being a writer (my old school). One of the questions I was asked was who would I like to play Philippa if TGG is ever made into a film/TV drama. I wasn’t sure until one of the students suggested Miranda Hart. Perfect!

So, please Miranda and Philippa … I am sending you both copies of my book which I would love you to read. Warm Sunday night viewing…?

Here’s a little reminder of Brucie and Anthea.

Here Lies One Whose Name Was Writ In Water

Do you ever think about the other life you might have lived? The other job you might have had? I love being a writer but I do sometimes wonder if I would be happier as a funeral director. I know most people squirm at the thought of seeing and, worse, handling a dead body, but I think it’s one of the most underrated jobs going. What an honour to lay out the body of a loved one, to liaise with a family during the worst time of their lives, to make sure the passing of a special person is marked respectfully, appropriately and smoothly.

Maybe I can attribute my interest in the dead to an episode when I was two years old – one which I don’t remember but that my mother has often told me about. We had recently moved to Teignmouth and our next door neighbour was an elderly lady called Miss Bowles. One morning her cleaner rushed to our house, knocking frantically, ranting ‘I think Miss Bowles is dead! Can you help?’. Mum said ‘I can’t leave my toddler here. She’ll have to come with us’. So we went into Miss Bowles’ house and she was indeed dead, lying on the stairs as if she were a rock climber. Mum called the emergency services and for the rest of the day I kept repeating: ‘Poor Miss Bowles. She’s dead. Poor Miss Bowles. She’s dead’.

Two years later, we moved to Torquay when my parents bought a newsagents. It was great fun living above the shop but we only had a tiny courtyard outside. So my brothers and I would go to the ‘Boneyard’ of the local church down the road to loiter and play. I loved it there, running in and out of the gravestones, picking flowers in spring and collecting ‘helicopters’ in autumn. The shop and the Boneyard were very important to me and thirty-odd years later they became the inspiration and setting for my novel ‘The Generation Game’.

So what else has drawn me to the dead? When I was ten, my father died suddenly and tragically. It was 1978 and children didn’t go to funerals. Especially awkward ones where the deceased had taken their own life. I’ve often thought about it and wished I had gone. The graveyard where Dad’s ashes are buried is in Selworthy, a beautiful, remote place in Somerset. I find great comfort going there, surrounded by Stenners, going back centuries, family members I knew, and those I have just heard about, and some I can only guess at. When I had an ‘episode’ two years ago, I left home and made my way to Selworthy and lay down on my father’s grave. It was January and night time and very cold but it was the place I wanted to be, a place of comfort and safety – though I have no recollection of how I got there. Fortunately I was hunted down by my husband and a good friend who thought to bring a flask of tea and some custard doughnuts. Without them, I would perhaps have died myself of hyperthermia.

Oscar Wilde's grave

Oscar Wilde’s grave

Over the years, cemeteries have been places of interest and I think that’s partly due to losing a parent as a child, and partly because I am a writer and avid reader (literature is of course scattered with death). I’ve visited Pere Lachaise in Paris to see my beloved Oscar Wilde. Much more interesting than the Louvre in my opinion. And when we lived in East Dulwich we used to go to Nunhead cemetery where once a year they had an ‘open day’. There was no exhuming but instead there were plant sales, woodturning exhibitions, and political organisations on recruitment drives. (Only in England.)

I’ve been to many country churchyards and many city ones – one of the most recent was the allegedly haunted Greyfriars cemetery in Edinburgh on a bleak, cold day. I’ve stood at the foot of many war memorials, silently contemplating the loss of so many lives and humbled at the thought that there are just a handful of ‘thankful villages’ in England whose men all returned. And I’ve visited tombs of the unknown soldier in honour of those whose bodies were never brought home.

There are many places still to visit: Highgate cemetery in North London. Sylvia Plath’s grave in Yorkshire. Keats’ final resting place in Rome (see epigraph above). Coventry cathedral. New Orleans. The pyramids. Jesus’ tomb. The battlefields of France and Belgium. Auswitz. Places where millions of people suffered and died and must never be forgotten. Not tourist destinations or places of morbid curiosity, but places of pilgrimage where we can contemplate those that went before and try to learn the lessons that their deaths can teach us about how to live our lives now.

I do think I would have made a good funeral director. I am not afraid of dead bodies or indeed of dying. But I do fear losing my loved ones as I know how hard it is to go on living when you miss a person so much. I think I would be of comfort to the bereaved.

I also think I’d have made a good Victorian when it comes to mourning.

If you feel so inclined, here is Emma Freud’s guide on How to do a Funeral. Its very good and I have cut it out to keep…

http://www.theguardian.com/lifeandstyle/2014/jan/04/emma-freud-guide-how-to-do-funeral

And this post is in no way intended to be flippant. It is written with honesty.

Greenway

http://www.nationaltrust.org.uk/greenway/

Had a lovely trip to Agatha Christie’s magnificent holiday home last Friday. Greenway, now owned by the National Trust, is set in stunning Devon countryside overlooking the River Dart with views down to Dartmouth and up to Dittisham. The house is elegant and huge but still feels like a family home as it is so cluttered with collections of all sorts of things. Agatha was married to archeologist Sir Max Mallowan and accompanied him on several digs in Syria and Iraq which explains the collections. (I thought I was a hoarder…)

The extensive gardens include a walled garden, a peach house, a pet cemetery and the famous boathouse with plunge pool that appears in The Murder of Roger Ackroyd.
Although Agatha lived in other parts of England, we Devonians like to claim her as ours. She was born in Torquay and spent her childhood there. She was actually baptised in a church in Belgrave Road just across the street from the sweet shop where I lived as a child which inspired the setting for The Generation Game. 
If you are down this way, Greenway is well worth a visit but getting there needs some planning. If you decide to drive you have to pre-book a car park space. Or you can arrive in style by vintage bus, boat, or steam train.

Up my Street

From 1972-74, my parents, two older brothers, Sammy the cat and I lived above the Candy Shop on Belgrave Road in Torquay. It was a shop that you only find in seaside towns; we sold sweets, fags and grockle tat (for those of you that are not Devonian, ‘grockles’ are holiday-makers). I was only little but this time and place has always stayed vividly in my mind and became the setting for my debut novel, The Generation Game

The Candy Shop is now a security shop. But I still drive past every now and then, just so I can remember…

There are far more famous connections to Belgrave Road. Agatha Christie was baptised in All Saints Church which was just over the road from us. And further down, towards the seafront, is the Grosvenor, made notorious recently from the hilarious Channel 4 documentary, The Hotel.

A few months ago I visited my old school in Teignmouth and talked to some English students about the book. They asked me who would play Philippa if the novel was ever made into a television drama. I turned the question back on them, and one lad suggested Miranda Hart. Genius. But I only discovered today that Miranda was born in Torquay in 1972… How cool is that?

Hold Me Close

Don’t ask me how my brain works, because I don’t know, but today I was listening to the classic pop song Hold Me Close by David Essex. Check out this Youtube video to see the 1970s in all its gilded glory and spangled splendour.

 

Just love the way men could dress back then, anyhow they wanted. A flowery choker and a hairy chest could sit well together (admittedly looking like David Essex helped – not sure my dad could have got away with it)…

… so I was only a 7 year old when this song was in the charts but, whenever I hear it, I go straight back to the sweet shop where we lived in Torquay at the time. This was the setting for my debut novel The Generation Game and indeed Hold me Close is ‘played’ twice in the book at significant moments. There’s something about the cheesy words, his slight cockney accent, the flares, the cheap Top of the Pops set that makes me long for that simpler world.

Or is that just plain old nostalgia…? And is there anything wrong with that?

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